This course provides students with an appreciation for the art of animation by surveying its history, types, production processes, and current industry trends. It aims to equip students with the skill of visual storytelling through the interpretation of narrative and movement via traditional and digital hand-drawn animation techniques.

This is a production course focusing on the aesthetic and communicative aspects of film and video production. Exposing students to a wide range of films, the course provides students with tools and skills relevant to the pre-production (i.e. storyboard and shooting script), production (i.e. direction, cinematographic techniques), and post-production (i.e. non-linear editing) phases in the creation of compelling video narratives.

This course introduces the unique challenges of longform storytelling, and helps students develop strategies for approaching long projects, either screenplays or novels. It is designed to develop, improve, and professionalize students’ reporting, story development and storytelling skills -- from the discovery of subject matter and characters to the creation of a well-told news story.

This course introduces the students to different principles and elements of design, methods of design, design and message conceptualization, and factors affecting design. It is intended to provide a solid foundation upon which further exploration and visual communications may be built. 

This course reviews the principles of classic animation and 3D modeling and applies them to animating virtual objects and environments in the 3D medium. It aims to equip students with the skill of visual storytelling through the interpretation of narrative and movement via 3D animation techniques. Topics include basic rigging, key framing, timing adjustments, rendering.

This course introduces students to the principles of video and audio editing through the use of current non-linear editing software and technologies. Topics include the concepts of invisible rhythms, screen direction, cutting-to-continuity, thematic montage and the elements of style.